It’s Sunday afternoon and 10 people are gathered for a theater rehearsal in a community hall in Lille, a city in northern France.
Most of the amateur actors here did not get to know each other through the arts scene. They met during France’s “yellow vests” protests.
The grassroots protest movement was at its height in 2018 and 2019 when protesters wearing yellow, high-visibility vests, blocked streets across France in response to fuel tax hikes designed to partially finance climate measures.
Since then the movement, named “gilets jaunes” in French, has dissipated somewhat. Smaller, local actions still take place but the larger protests have more or less ended.
But many of those who took part have not forgotten how it felt to belong to the movement. One of the actors here today, local 66-year-old woman Marine Guilbert, arrives at the rehearsal, a shiny yellow vest hanging out beneath her backpack. On it, the words, “fiere d’etre un gilet jaune,” or “proud to be a yellow vest,” flanked by two butterflies she painted herself.
One of the other actors teases her, saying she probably even wears the vest to bed.
‘Even worse than before’
At the yellow vest movement’s peak, some protesters rallied peacefully. Others threw smoke bombs, looted shops and burned barricades. French police pushed back with water cannons and tear gas, sparking accusations of police violence. According to data collected by French outlet Mediapart, the clashes resulted in four deaths and hundreds of injuries.
Seven years and many protests later, 66-year-old Guilbert is still angry about the political and economic situation in France.
“It’s even worse than before,” Guilbert tells DW. Her salary as a cleaner is less than €1,000 a month, forcing her to rely on money transfers from her son and food packages from charity organizations. She feels abandoned by the state. This is why together with this group, Guilbert is voicing her frustration in another way.
Guilbert can’t remember when she last went to see a play. Too expensive, she notes. Now she doesn’t need to see professional shows anymore, she says, and points to herself. “We were born artists,” she exclaims confidently.
The theater group was founded by Anne-Sophie Bastin, a lawyer and also a yellow vest from Lille.
“We have seen so much violence, injustice by police, that we have decided to reflect it on stage,” Bastin explains why she founded the group, authors the scripts and serves as director too.
The group performed for the first time in 2019 and their play was about the yellow vests themselves. The new piece, which will be performed at the end of November in a 400-seat theater in Wasquehal, a town near Lille, is about Irishman Bobby Sands. .
A member of the anti-British paramilitary, the Irish Republican Army, Sands died on hunger strike in 1981, aged 27, while in prison. Seen by some as a hero and others as an extremist, Bastin says she finds him an inspiring figure.
As Bastin points out, out on the street the yellow vests were a leaderless movement. Here on stage, “they are not used to having a boss,” she explains. Now she is the boss.
As one actor depicts his character according to his own interpretation of the script in the recent October rehearsal, Bastin intervenes in the rehearsal. “It is me who wrote this script.”
In the past, only yellow vests were part of the theater group and at one stage, there were around 40 members. As members came and went, the group was opened up to friends and family too and now there are 15 members.
France in crisis
A new protest movement named “bloquons tout,” or “let’s block everything” in English, has largely taken the spotlight from the yellow vests in recent months as France lurches from crisis to crisis. A survey published by French newspaper Le Monde in mid-October found that 96% of respondents were unhappy with the state of the country.
One of the theater group members, pensioner Yolaine Jean Pierre, composed protest songs in her free time. On the day of the rehearsal, she wears a badge with a yellow vest and a red heart on her collar. When she strikes up one of her songs, the others sing along. Like a catchy tune, the melody and its rhyming lyrics remain in the ears. The theme is the same in all the songs: Blaming President Macron, the one whom they make mostly responsible for France’s situation.
This dissatisfaction is unlikely to be resolved easily. According to Julien Talpin, a political scientist at the University of Lille, France faces a structural problem.
“As the French political system is no longer able to address inequalities, anger is being expressed in other ways,” he told DW.
One of the reasons for governmental instability is that President Emmanuel Macron lacks sufficient support in the French parliament to carry out reforms he says are crucial to solve France’s economic quandary. French national debt stands at more than 100% of the country’s income but successive French governments’ attempts to curb the deficit — from reforming France’s pension system to cutting national holidays — have faced a backlash from the public and political rivals.
A recent report by France’s Inequality Observatory shows the country has seen an increasing poverty rate for 20 years.
Still, it’s hard to see how changing the head of state would automatically solve France’s political woes. If Macron stepped down, experts say he could be effectively handing France’s top job to the far-right National Rally party.
Yellow vests want Macron’s resignation
In the Lille community hall where the rehearsal takes place, most of the actors argue that President Macron’s resignation is long overdue.
The pensioner Jean Pierre doesn’t think that will happen. She quips that Macron will hold on to power “because he thinks of himself as God.”
Another actor waiting in the wings says he thinks little would change, whoever is in office. Paris feels so far away, he says.
The cleaning lady Marine Guilbert says she’s channeling her wishes for change into theater. “I hope that our voice is being heard on the ground and on the stage,” she says.
Jean Pierre’s eyes start shining, as soon as she talks about the theater group.
“We [the members of this troupe] fight the same fight,” the pensioner tells DW. “We think the same. There is unity.”
Edited by: Carla Bleiker, Cathrin Schaer
