After a brief launch in cinemas last week, the streaming platform’s first-ever NC-17 (not suitable for anyone under 18) is available to watch at home from today. It has thrust leading lady de Armas even further into the spotlight. The actress has previously stolen the scene in movies like Blade Runner 2049, The Grey Man with Chris Evan and Ryan Gosling, and twice opposite Daniel Craig in Knives Out and No Time To Die. She was also global tabloid fodder when she started dating Ben Affleck, after starring together in 2019 sexual thriller Deep Water – a rare flop for the Cuban-Spanish star. Her performance in Blonde is already generating early Oscars buzz, and the movie recently received the longest standing ovation at the recent Venice Film Festival – 14 minutes.
Blonde seeks to portray Marilyn’s emotional turmoil, from multiple miscarriages and abandonment by her father to the brutal way she was reduced to a sexual object, both by the men she loved and by the public at large. It graphically explores her spiritual and sexual torment at the hands of lovers and husbands including Bobby Cannavale’s Joe DiMaggio and Adrien Brody’s Arthur Miller.
De Armas has addressed how the film unflinchingly features nude and sexual scenes, many of which are disturbingly aggressive, including a humiliating moment when President John F. Kennedy (Caspar Phillipson) forces Marilyn to perform oral sex on him while he is on a phone call.
In a new interview with Variety, she said: “We’re telling her story from her point of view. I’m making people feel what she felt.
“When we had to shoot these kinds of scenes, like the one with Kennedy, it was difficult for everybody. But at the same time, I knew I had to go there to find the truth… I did things in this movie I would have never done for anyone else, ever. I did it for her, and I did it for Andrew.”
Marilyn was devoured in an age that did not have smartphones and laptops, however, and now anything can cross the globe in seconds. De Armas is bracing herself for the worldwide circulation of salacious images and clips that will inevitably be pulled from the film.
She remembered thinking, “It doesn’t matter what I say or how I say it, it is still not good enough. And I’m not going to be accepted for this.”
This was still nothing compared to the tsunami of attacks she would then receive once casting was announced, and then again when the first footage was shown.
Her director has saluted her courage and willingness to lay everything figuratively and literally bare.
De Armas explained why she did it: “Using my emotions — how I felt about playing the role — was the way I approached the entire film, embracing my fears and my vulnerability, my feeling uncomfortable and my insecurities.”
BLONDE IS OUT NOW ON NETFLIX WORLDWIDE
ORIGINAL INTERVIEW IN VARIETY