SHANGHAI – The sound of machine gun fire rattled around collapsed buildings as schoolchildren eagerly explored the ravaged streets of 1930s Nanjing, delighted to be visiting the set of a Chinese blockbuster about a historic massacre.
Slickly produced and star-studded,
Dead To Rights
is set in Nanjing, then China’s capital, during six weeks of mass murder, rape and looting by the Japanese army in 1937 that killed tens if not hundreds of thousands.
In keeping with other films about the slaughter, Dead To Rights does not shy away from portraying the atrocities, but that has not deterred viewers. It has topped the Chinese box office since late July and is showing in Singapore cinemas.
Its set at a suburban Shanghai film park is now open to the public, and was thronged with enthusiastic fans – many of them young children – when AFP visited this week.
An enormous, bullet-ridden mural of China’s former leader, Chiang Kai-shek, stared down from a bombed-out building as visitors poured in, taking selfies and livestreaming excitedly.
Beneath the levity, the film had provoked strong emotions.
“It’s a deep pain that comes from within, a feeling of profound hatred,” said a woman surnamed He, describing her feelings towards Japan.
“History is something that can’t be erased in the heart, no matter what happens in the future.”
One man told AFP he had travelled almost 2,000km from northern Ningxia with his five-year-old son, who had watched the film.
Another young boy holding a Chinese flag struck a triumphant pose on a charred mound of rubble and broken glass, as his parents snapped pictures of him against the blue summer sky.
The film’s plot revolves around a group of Nanjing residents hiding in a photo studio, who are forced to develop Japanese photograph “souvenirs” of war crimes.
A South China Morning Post review called the movie “thunderously powerful” but said some violent scenes were “as though engineered to stoke the fires of anti-Japanese sentiment”.
Dead To Rights is one of several summer releases about the war with Japan, which killed millions of Chinese, and which many feel Tokyo has never properly atoned for.
The country is gearing up for a major military parade next week to
mark 80 years since Japan’s defeat
and World War II’s end.
The Dead To Rights poster reads: “No Chinese person will ever forget.”
“I don’t think (films like this) represent hatred. It’s because we need to restore history,” said 37-year-old visitor Jiang Xiang, adding that awareness of China’s suffering should be passed down the generations – to teach that “we need to rely on ourselves, keep growing stronger”.
The death toll of the massacre – the Chinese put it at 300,000 – remains a source of debate, and some Japanese arch-conservatives have denied it took place at all, despite overwhelming international evidence.
In the on-set photo studio, a visitor’s book was completely full of comments both patriotic and profane.
“Japan is the stupidest country in the world,” read one in a childish scrawl.
Almost all of the parents AFP met said their children had watched the movie, with one mother from Nanjing saying their school had encouraged it.
Visitors at the set where Chinese blockbuster Dead to Rights was filmed at the Shanghai Film Park on Aug 27.
PHOTO: AFP
Visitors at the set where Chinese blockbuster Dead to Rights was filmed at the Shanghai Film Park on Aug 27.
PHOTO: AFP
China has no film rating system, and it is not uncommon for children to watch content that might be considered overly violent elsewhere.
“Look, that’s where the head was hanging (in the film)!” a child giggled to a friend as they passed a wooden post.
Tourist He said war films “teach children how our ancestors fought for us”.
The aim was to help “the children understand history – not to make them hate or anything”.
Middleschooler Li Xinyi said she found the Japanese “dislikeable” but cautioned against bitterness.
“Even though they did many cruel things to us, we still need to respect them, because now we must focus on peace.” AFP
