Unfortunately, Sam is absent from Carly’s life now because McCurdy chose not to return due to the toll on her mental health from working in the entertainment industry as a child and young adult. New character Harper (Laci Mosley) fits in nicely as a semi-replacement, sharing Sam’s spunk but also adding some racial and sexual diversity (the character is both Black and dates women). Spencer has finally cashed in on his dream of being an artist, but it hasn’t altered his struggles to find a wife or create a family outside of his little sister. Freddie has a step-daughter from a divorce and is living with his mom again after failing to make it big as a tech entrepreneur.
All of the occupations and tribulations of the cast make sense and fit with what we would have imagined would happen to these people in the nine years since going off the air.
Both the original airing of the show and this reboot fit together like a locktight time capsule, displaying for the viewers at home a select set of people who are simultaneously relatable, but also even more flaky and unpredictable than ourselves. In 2007, Carly and her cohort wanted to show the world all of the zany things that suddenly poof into the millennial mind: what happens if you hit someone with a sock full of butter? What about putting a grown man’s face inside a plastic baby’s body and flinging ketchup, lotion, shampoo, and other gooey substances all about the crib?
iCarly is special because it was and still is all about feeling free to do whatever the hell you want, whenever you want, and not being embarrassed to share it with the world! It had a keen understanding of the teenage struggle, and that sometimes letting off steam and just doing some stupid crap and broadcasting it to people who are like you is a great anecdote for the most confusing time in life, compounded by existing on a planet that had never been more in the process of evolving. The show even brilliantly foretold some of the pop culture events of the early 2020’s, such as feverish fan panels a la Comic-Con, or social media stars getting in the boxing ring for a minute or two.
Through the first four episodes of the reboot the characters’ choices in social media interaction reflect their growth in age; the webshow remains as the chosen avenue for Carly to project her views to the world. If the original were being made today, Tik Tok would almost certainly be the chosen medium for Carly’s teenage fans. Today’s adolescents are experienced vets in tech, whereas 2007’s were pioneers still learning the new ways. Being trampled by the overabundance of options available, the current kids are most attracted to instant gratification and short bursts of artistic expression. YouTube is a little too long-format for the contemporary attention span, but it fits like a glove for 20-somethings who are willing to adapt and learn about new world affairs, but are also starting to sound more and more like their “get off my lawn” ancestors.
This is why the show embraces having been pigeonholed into the demographic that is so in love with it nearly 15 years after the pilot episode (the show’s trailer on YouTube has garnered nearly 4.5 million views in the month of June and the official Twitter account has over 3.5 million followers). Every piece of humor and every choice the characters make is a reflection on a little bit of ourselves trying to figure out what the hell this world means and how we can become successful in it.
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